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Tatlin's Tower Information

Tatlin’s Tower or The Monument to the Third International is a grand monumental building envisioned by the Russian artist and architect Vladimir Tatlin, but never built. It was planned to be erected in Petrograd (now St. Petersburg) after the Bolshevik Revolution of 1917, as the headquarters and monument of the Comintern (the third international).

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Plans

Model of the tower, 1919

Tatlin's Constructivist tower was to be built from industrial materials: iron, glass and steel. In materials, shape, and function, it was envisaged as a towering symbol of modernity. It would have dwarfed the Eiffel Tower in Paris. The tower's main form was a twin helix which spiraled up to 400 m in height,[1] around which visitors would be transported with the aid of various mechanical devices. The main framework would contain four large suspended geometric structures. These structures would rotate at different rates of speed. At the base of the structure was a cube which was designed as a venue for lectures, conferences and legislative meetings, and this would complete a rotation in the span of one year. Above the cube would be a smaller pyramid housing executive activities and completing a rotation once a month. Further up would be a cylinder, which was to house an information centre, issuing news bulletins and manifestos via telegraph, radio and loudspeaker, and would complete a rotation once a day. At the top, there would be a hemisphere for radio equipment. There were also plans to install a gigantic open-air screen on the cylinder, and a further projector which would be able to cast messages across the clouds on any overcast day.[2]

Evaluations

The Monument is generally considered to be the defining expression of architectural constructivism, rather than a buildable project. Even if the gigantic amount of required steel had been available in revolutionary Russia, in the context of housing shortages and political turmoil, there are serious doubts about its structural practicality.[2]

Symbolically, the tower was said to represent the aspirations of its originating country[1] and a challenge to Eiffel Tower as the foremost symbol of modernity.[3] Soviet critic Viktor Shklovsky is said to have called it a monument "made of steel, glass and revolution."[1]

Models

There is a model of Tatlin’s Tower at the Museum of Modern Art in Stockholm, Sweden and at Tretyakov Gallery in Moscow. A 1:42 model was built at The Royal Academy of Arts, London in November 2011.

Description

See also

References

  1. ^ a b c Ching (2011), 716
  2. ^ a b Grey, Camilla (1986). The Russian Experiment in Art. London: Thames & Hudson.
  3. ^ Hughes (2010), 266

External links

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